![]() This will blend your inputs into one Mono Signal which you can route back to Input 1 so that Skype can receive it. You can use the Mix feature on Scarlett MixControl and Saffire MixControl to create a Mix-Minus. Some select programs may be able to address the first two inputs of an audio interface and send a stereo stream to the internet, so if this is the case you can alter these setting to create a Stereo Mix rather than a Mono Mix. Usually, with the built-in microphone on your computer, you never notice this because even though it records on two channels the two microphones are so close to each other their signals are identical. Most VOIP programs are only able to send a single Mono stream to the internet, so they are restricted to the first input on any audio device. Many users want to use their Scarlett or Saffire for live streaming programs like Skype or other VOIP programs. I hate to be negative as Focusrite interfaces have alot of potential but the bad latency almost makes it unusable.Applies to: Scarlett 6i6, 18i8, 18i20 + Saffire range. So my question for you is: what will be the focus of new development with your DSP software/latency performance? After all, you don’t need DAWbench to tell you that Focusrite Scarlett’s dont get the best latency around. It really is quite complicated at first, Kevin. After tons of youtubing I finally figured it out. I just bought a new Focusrite Scarlett 8i6 which also includes the MixControl software. Please don’t hesitate to contact our support again, should you need any further assistance. Yeah I’m sure it is, I just don’t/can’t understand it…Īccording to your latest reply in your support case, it looks like you can understand Saffire Mix Control in the meantime. Please let me know if I can be of any further assistance. I have attached screenshots of both Mix 1 and Reverb Send to show you what I mean. If anything goes wrong, or things look different to what I have described, then go to File > Restore Factory Defaults and then go through the process again. Make sure that Anlg In 1 in Mix 1 is centrally panned too. You should now start to hear reverb on your single input, but not anything else. Then go back to Mix 1, and turn up the Reverb Returns fader. Also, ensure that Anlg 1’s pan fader (at the very top, right underneath where it actually says ‘Anlg In 1’ there is a horizontal fader with ‘L’ on one side and ‘R’ on the other) is in the middle, on ‘C’. Assuming you are using Input 1, ensure the fader called Anlg In 1 is turned up, and everything else is turned down. ![]() The trick is to ensure that reverb is only applied to what you want it to be applied to. You will also see controls for the reverb in general, such as room size etc. Click it and you will see the faders move around to represent what volumes things are in this area, and thus to represent what audio sources in your Mix will have reverb on them. Don’t worry, you will know what I mean in a moment.Īt the very top of MixControl, you will see a tab called Reverb Send. Reverb Returns is a fader that represents the amount of reverb signal to be included in the Mix, as defined per channel, by the Reverb Send. ![]() Then, ensure your MixControl is on the Input FX, not VRM, setting. I got this from Focusrite which solved the problem I was having, which was low latency monitoring using the onboard reverb…really don’t know why the tutorials are not as concise as this…įirst set up a track in Cubase to record onto. Basicly just select your inputs to faders -> balance them with DAW 1 & 2 (existing tracks in your Cubase session) and monitor thru Mix Ouput. MixControl is pretty good when you get your mind around it. I´m using FX tracks with plug-ins if I need reverb or delay during tracking. I´m tracking using buffer size 64 so latency hasn´t been problem for me. I´m not sure about the reverb thing because I don´t have DSP but is seem that there´s Reverb send tab on the top right corner and reverb return channel also… so that will do it. So don´t use Cubase input monitoring because you will hear the signal twice (the anlg input and DAW 1 & 2). DAW 1 & 2 input is your return channel from Cubase so everything playing in Cubase is coming thru that. Make sure line level input is selected if you´re using line out from SPL and check that Mix 1 output is not muted, fader is up and it is routed to Mon1&2. Raise the fader and you should hear the signal in your monitors. Then select Anlg In X (the input your SPL is connected) to first channel in Mixcontrol. Fastest way is to use Routing preset called “low latency tracking”. When using low latency monitoring make sure that Mix 1(L) and Mix 1 ® are routed to your Monitor Outputs. I have Liquid Saffire 56 so my Mixcontrol is a little bit different but routing logic is the same.
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